A portrait of my friend Stephanie, a farewell gift on her leaving the charity we both work(ed) at.
Obviously there was never any chance of doing a straightforward naturalistic portrait, but whilst painting it I was increasingly drawn to Gaudier-Brzeska’s Heiratic Head of Ezra Pound as reference and much more so by the end, than the few photos I took before beginning the painting. Gaudier-Brzeska makes no attempt at a likeness of Pound. The sculpture seems more about the force of Pound’s personality, but maybe its not even that, and what Gaudier-Brzeska was doing was creating another Ezra Pound completely, one that exists not in any mimetic sense but one equal to the Ezra Pound that happened to be made of flesh and blood and bone.
Yesterday at an artists social gathering at the studios in Newcastle where I paint, at one point during the evening someone wondered aloud what would today’s art be like if modernism hadn’t happened and the old Renaissance rules still held. An interesting question but I think modernism and the break with how painters and sculptors imagined the world on their canvases and in bronze and marble, was inevitable, a consequence of changing social and economic conditions as that were being radically affected by industrial and political revolutions that were taking hold in the 18th century.
The collapse of old hierarchies of state and religion, the developing new social-political forces (bourgeois/proletarian), the development of cities and the impact of science, engineering and philosophy on our understanding and interpretation of the natural world; the collapsing of space and time by new technologies like railways and photography all combine to make the ‘isms’ of 20th century modernism simply unavoidable. The challenge we face now is still how to come to terms with and work through the freedoms modernism has given us and to make art that is of its time and relevant but not completely up its own arse…